
It’s very different preparing a piece of music to be cut to vinyl rather than copied to a digital medium, and entire books have been written on this topic. One is for preparing the file to be cut, the other is actually cutting the prepared file onto the dubplate. The set-up is, in its simplest form, split into two parts. I did a pop-up in the backroom at Holdrons (a space they reserve for exhibitions and temporary stores) as part of the Peckham Rye Music Festival, and the response was overwhelmingly positive.Ĭould you talk us through your set up and equipment, and what it takes to cut a dub? When I was thinking of moving out of home to a proper location I knew it had to be right, and one place we thought about was Holdrons Arcade. You’re situated in a pretty exciting location. More information can be found on our website and Facebook. We will be taking orders online as usual so always welcome to email or phone for a chat.

Our opening times are Monday to Saturday, 10am till 8pm.
Dubplate cutting Pc#
People can walk in with files on memory stick (must be PC compatible) or a download link, or book an appointment to reserve a specific time slot. We’re located in Holdrons Arcade, Unit 21, 135a Rye Lane, Peckham, SE15 4ST. I still offer the same online service, where people can email and send music to be cut on to a dubplate, but there was also a quiet voice in the back of the mind that felt it would be great to one day move things out of the home, and into a place where people can walk in and have their record cut while they wait in more of a shop environment. Could you talk us through what you offer in terms of the service? Now you’ve just opened up your first walk in Dubplate service. So last time we featured you, you were running an underground dub-cutting operation out of your bedroom and serving the likes of Bradley Zero, Medlar, Chaos in the CBD, Andy Blake and Henry Wu. We caught up with Dominic to find out more about the whole operation.

From Bradley Zero’s Rhythm Section to Henry Wu and Andy Blake, some of the vinyl you’ve found yourself grooving to on any given night out in London may well lead back to this guy.Īlmost a year on and Dominic Jones’ uncouth DIY bedroom foundry has become an institution in its own right within Peckham’s flourishing music scene, and earlier this month he made an executive decision to step out of the shadows and onto Rye Lane high street to offer Peckham’s first ever walk-in dubplate cutting service. → Here You find more informations around vinyl pressing.At the beginning of this year we caught wind of a mysterious man cutting dubplates out of his bedroom for some of south London’s finest DJs and producers. tax )ħ″ LP Dubplate 33 or 45 rpm, one side cutġ-4 pcs. tax )ġ2″ or 10″ LP Dubplate 33 or 45 rpm, 2 sidesġ-4 pcs. In praxis Dj’s often let reproduce their favourite record as a dubplate not to wear and wear them in the clubs.ġ2″ or 10″ LP Dubplate 33 or 45 rpm, one side cutġ-4 pcs. For a bigger amount a classical pressing is more effective and attractivly priced. Usually it is worth to make Dubplates in an edition up to 10 pcs. Dubplates could be cutted on one side or both sides. The running time for a LP is about 10-12 minutes (at 45 rpm) respectivly 13-15 minutes at 33 rpm. In the best case the running time of a single is around 3 minutes (45 rpm), for a 10″ between 6 and 9 minutes (45 rpm) and 9-12 minutes (33 rpm). The maximum playtime of a Dubplate depends on the chosen rotation speed – 33 or 45 rpm – and, not least, on the kind of audio material and the desired output level.

The cutting process happens in real time and all standard sizes – Singles 7″, 10″ oder LPs 12″ – are possible to produce. The main difference is the base material. This procedure is actual equivalent to the first step of vinyl pressing. The blank disc lies on a rotating turntable while a saphir or an industrial diamant is cutting or engraving the audio information into the carrier material. The making of a Dubplate is relating to single cut of a record directly into a lacquere or vinyl blank disc.
